Location Sound · Non-fiction Editor
View workSound & camera · The New Yorker · 2026
I recorded sound and shot camera for this New Yorker video about the toxic caterpillars taking over Europe. It's hosted on Instagram, so the link opens there in a new tab.
KiKA (ARD / ZDF) · Dir. Bernadette Hauke & Christian Fussenegger · Prod. Pangolin Doxx · 2026
I recorded production sound for this episode of KiKA's Story Time, which looks at how a city can cool down during extreme heat. It streams on kika.de, so the link opens there in a new tab.
Museum of Contemporary Art Australia · Dir. Timothy George Kelly · 2026
I recorded production sound for this interview with the artist Ai Weiwei, made for the Museum of Contemporary Art Australia in 2026. It's hosted on Instagram, so the link opens there in a new tab.
Feature film · Fiction · Sonnenkind Film · Boom operator · In post-production 2026
I was a boom operator for SADE (working title), a fiction feature film produced by Sonnenkind Film. Sound mixer: Damian Marquardt. Photos from set below; more about the film on the production company's page.
Photos: Andreas Jopp
KiKA (ARD / ZDF) · Dir. Bernadette Hauke · Prod. Pangolin Doxx · 2026
I recorded production sound for this episode of KiKA's Ich bin Ich. It streams on kika.de, so the link opens there in a new tab.
Short documentary · Dir. Rabeah Rahimi · RAR Film · Sound mixer & recordist · In post-production 2026
Rosi (working title) is a short documentary directed by Rabeah Rahimi and produced by RAR Film. I worked on it as sound mixer and recordist. A photo from set below.
Short fiction film · Dir. Marie Villetelle · Boom operator · In post-production 2026
Leg nicht auf (working title) is a short fiction film directed by Marie Villetelle. I worked on it as boom operator. Sound mixer: Marina Funck. A photo from set below.
Dir. Timothy George Kelly · Deutsche Wohnen & Co. enteignen · 2023
I recorded production sound for this video by Deutsche Wohnen & Co. enteignen, the Berlin housing campaign. Directed by Timothy George Kelly.
Dir. Christian Fussenegger · ver.di TV · 2021
I recorded production sound for this ver.di TV video, made for the trade union's video channel. Directed by Christian Fussenegger.
Dir. Christian Fussenegger · FABIKLI · 2021
I recorded production sound for FABIKLI, a film about facade greening and biomass use for climate protection at schools. Directed by Christian Fussenegger.
Documentary Short
Director · Editor · Camera · Sound
The Social Pleasure Center documents the DIY somatic casino space Fortuna and the Social Pleasure Center collective, while situating them within broader narratives of queer resilience amid the housing crisis and austerity politics.
I began filming The Social Pleasure Center out of a sense of necessity. The film shares its name with the collective that ran the space: a group of queer dancers and artists who created an alternative form of togetherness outside of Berlin's club culture. Centered on community togetherness and expression through often sober gatherings, the space offered a different model for queer community apart from nightlife.
The space quickly became a cornerstone of my community. At the same time, signs of its precariousness began to appear. It felt important to document it while it still existed.
After filming began, I received support from Fonds Darstellende Künste via Maria Scaroni, which allowed the project to grow. With that funding, I was able to collaborate with a larger team and record dozens of interviews with artists, organizers, and community members connected to the space.
Through this film, I want to document a moment in Berlin's queer cultural history: how people organized, cared for one another, and built spaces for connection in the 2020s. More broadly, I hope the film shows that creating community spaces and organizing collectively is worthwhile, even when those spaces are temporary.
Photo: Larissa Kaiser
Hello, I'm Grace Guthrie.
I'm a location sound recordist and non-fiction editor based in Berlin. I record production sound for broadcast, documentary and fiction, most recently for KiKA (ARD/ZDF), The New Yorker and the Museum of Contemporary Art Australia, and I edit documentary and interview-led work.
I came to film through promoting and DJing in Berlin's queer and bass scenes. My history shapes the projects I'm drawn to, whether they're about queer life, archiving DIY cultural space, or contemporary art and dance.
Whatever I'm working on, I bring my sense of wonder for humanity with me, along with a curiosity for deep listening and dedication to crisp, clean audio.
I work in English, German and Spanish. Available for productions in Berlin, across Germany and beyond.